Sometimes winners of piano competitions are not true messengers of great musical artistry. They might succeed in pleasing a panel of judges who often reward interpretive conformity and convention bundled in pyrotechnical displays, bestowing the Gold medal upon the least offending contender. Yet such a career launch may be short-lived once the round-by-round environment is no longer a convenient safety net. A truly creative musician must ultimately emancipate himself from a competitive framing and develop an unbridled, form of individual expression.
Alessandro Deljavan is one of the few young pianists of his generation whose participation in the renowned Cliburn Competition brought singular adulation from audiences far and wide, but did not attach a Gold, Silver or Bronze Medal. His BIGGER THAN LIFE talent, LIVE-STREAMED from Fort Worth, Texas, in 2009 and 2013, drew a chorus of praise from pianists, teachers, and listeners around the world who enthusiastically mouse-clicked their way to his scheduled offerings. Yet, when the Italian pianist did not make the Finals, global sighs of outrage were funneled into Discretionary honors that would not soften international waves of disappointment.
Fort Worth arts critic, Gregory Sullivan and others summed up the reaction to Deljavan’s playing during the course of the Cliburn rounds:
“Deljavan’s performance was revelatory in every respect. Everyone in the hall knew that they were hearing something special-something wonderful from the very first notes. At the end, the spontaneous eruption of cheers was so different from the perfunctory ovation that any decent performance is awarded, that being part of the thrilled crowd was a unique experience in itself.”
It’s no surprise that Deljavan is a virtuoso and poet of the piano without needing the rubber stamp of Competition juries. (Yet, he’s amassed a generous serving of first place awards at International concours)
With a mellifluous singing tone, deft technique, and immaculate phrasing, his deeply probing art serves the music and composer.
(I must admit to having shed tears listening to this Concerto excerpt) Deljavan’s riveting emotional connection to a score comes through in all style periods.
I had a rare opportunity to converse with Alessandro who was in the Silicon Valley area (CA) performing chamber music with violinist, Daniela Cammarono, and cellist, Eugene Lifschitz. The group will showcase the works of Beethoven and Brahms at the School of Music and Arts at Finn Center, 230 San Antonio Circle, Mountain View, CA. Sunday, April 16th, 2017 at 3 p.m. Otherwise Deljavan is jet-setting around the world giving concerts to appreciative audiences.
Alessandro shared his thoughts about the role of chamber music in the development of a pianist, along with providing a profile of his earliest exposure to the piano, journeying into the present.
Deljavan’s OFFICIAL WEBSITE: (Click “MEDIA” for more performance samples)
from Arioso7’s Blog (Shirley Kirsten)